Boogie Nights
From the opening sounds of sad circus music flowing into disco, you feel you are in for something unique. As the camera tracks across a street into a bustling nightclub, introducing us to a large array of characters in one take, you know you are in for one hell of a spectacle...
Boogie Nights is an epic tail about life in the swinging seventies through the lens of the porno industry of Southern California. It explores the transition of the business into the 1980s, where film was switched out for video, and the roof caved in for many. But it’s not simply a story of the sex trade—it’s about family. Although somewhat warped, the group of porn stars connect together as if they were brothers and sisters, mothers and fathers.
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Mike White has a knack for making you feel uncomfortable. After all, he did pen Chuck and Buck as well as several episodes of Freaks and Geeks (both bodies of work are highly underrated). His characters can be so awkward that I sometimes need to look away.
Shannon plays a lonely executive assistant whose life spins out of control due to the untimely death of her dog, Pencil. Pencil was her life and now she has no life. That is until a kind veterinarian (Sarsgaard) offers Shannon a new dog to adopt. Not only does she fall in love with the dog but with the vet as well.
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