Carnage
What is the message behind films that intertwine unrelated characters? Where does the relevancy of “six degrees of separation” show itself in such a story? There is a vast difference between the various methods in which this plot is used. Some directors, like Quentin Tarantino, used it for suspense. In Pulp Fiction, characters met at random intervals and changed the course of the action, or in some cases sequences were jumbled so that suspense and interest could be built. Many foreign films, including Amélie, Dog Days, and Almodóvar's Bad Education present this technique as something cathartic and full of important lessons in love and life. There seems to be a touch of destiny leading characters to their fate, and thus these are a statement on humanity and inevitability. The effect can be either beautiful or hopeless, but they all have one thing in common: they rely on the presence of a person or series of people to start the chain of events.
Carnage is different in that respect. While it does open with a bullfighter in Spain, it is not his presence that begins the action. Facing him in the ring is a bull with a secret. It appears normal, but was born half-blind. This rare trait gives the beast an advantage. His adversary in the ring cannot notice that it's different until they've begun. All probability and familiarity with its movement is absent. The skill and experience of the fighter is no match for a bull that doesn't fit a general pedigree, and the man is struck by the beast. But the fighter was brave and very skilled; the bull suffered several blows and ultimately bled to death. Its body is butchered and, according to custom, certain parts are given to the fighter. Others are more valuable and sold around the world. The bull's limbs and bones are shipped to Belgium, France, and Spain until they find suitable markets. The people who take a part of the bull end up finding pain, redemption, death, and in some cases, each other.
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