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Dust Devil has suffered from a bad reputation ever since Harvey and somebody Weinstein eviscerated Richard Stanley’s cut of the film from 108 minutes to 87 for its ill-fated theatrical release. Stanley’s previous feature was the cult hit Hardware, which was noted for having made back its micro budget many times over as a video store hit. Why the Weinsteins chose to lop off 20 minutes and remove all the sense from the film is a bit of a mystery. Hopefully, Dust Devil: The Final Cut will redeem the film in the eyes of those who had seen it previously and introduce this gem to a new generation of horror fans.

Set in an arid, remote region of South Africa, Dust Devil follows an enigmatic serial killer (Robert John Burke), half man-half demon who follows the lonely highway, making love to and then killing depressed women. The killer uses ritual magic, attempting through his murders to transcend the earthly plane so he can return to the spiritual world. The desert setting gives the film a Western atmosphere as does the casting of an American actor in the drifter-killer role. Whether there are supposed to be additional political connotations in an American man using African magic and killing white African women is an unresolved quandary. Wendy, a narcissistic housewife, leaves her brutish husband, eventually crossing paths with the handsome killer. The fact that neither the killer, nor Wendy, nor her husband are likeable characters and the latter two are idiots, makes the final battle all the more enjoyable. By liberating you from sympathizing with the protagonists, Stanley allows the viewers to consider the killer’s motivations objectively and also enjoy the resulting bloodshed more thoroughly.

We've all seen the gang leader film a few hundred times. We've seen him in "tha hood" starting fights, we've seen him in a classroom getting into trouble and reporting to the principal's office, we've seen him ride slick cars, and we've seen him lead labor unions into civil uproar.

Place him in South Africa - we have a teenager named Tsotsi (meaning"thug") who doesn't know emotion and lives alone in the ghettos outside of Johannesburg. Place him in a wealthy city, and he steals a woman's Mercedes, as well as shoots her. Riding off, he finds himself not alone - the woman's baby is left in the backseat, and he is left by himself to take care of him. The film follows his journey as he learns how to care for someone other than himself, and the lessons and people that come along the way.