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The tough-minded vision of a master filmmaker fighting the odds to bring his vision to the screen has made for some truly memorable documentaries over the years. The almost mad mavericks Francis Ford Coppola directing Apocalypse Now in Hearts Of Darkness: A Filmmakers Apocalypse and Werner Herzog’s epic struggle to make Fitzcarraldo in Burden Of Dreams - the documentaries are almost as good as the films themselves. Another interesting film is Lost In La Mancha which chronicles Terry Gilliam's attempt to get the unbearable looking The Man Who Killed Don Quixote started and completed, the latter never happened. These are three men devoted to filmmaking with grand goals. The documentary Overnight is about another filmmaker, Troy Duffy, trying to get his first film, The Boondock Saints, made. Unfortunately for this maniacal egomaniac his visions are mostly about himself and how cool his sunglasses are.

Back in the '90s Harvey Weinstein and his film company, Miramax Pictures, were riding a wave of good fortune and good will after making an overnight sensation out of a video store clerk turned happening director/screenwriter, Quentin Tarantino. Suddenly everybody had a script ready to go and were ready to be discovered by Weinstein. Unfortunately, it also made Tarantino’s Reservoir Dogs and Pulp Fiction two of the most imitated films of their day. Hip dudes spewing cool dialog and then nonchalantly taking part in extreme violence and gunplay. (Does anyone want to sit through Things To Do In Denver When You're Dead, Very Bad Things, Love & A .45, The Salton Sea or 2 Days In The Valley again?) One of the worst Tarantino clones was The Boondock Saints. Overnight is the story of how The Boondock Saints' production was hot, then cold, and then barely got made.

GILLIAM’S ISLAND From the clunky, cluttered, and effectively eclectic mind of director Terry Gilliam comes this fabulous wunderkind of a film known as The Adventures of Baron Munchausen. One of my personal favorites indeed! Munchausen comes as the third installment of Gilliam’s unofficial trilogy. The previous two films include Time Bandits and Brazil.

A CITY UNDER SIEGE In the midst of a war-torn city its residents are struggling for survival. Momentarily distracting themselves from their distraught surroundings they watch a depiction of Baron Munchausen’s adventures being put on by a local theatre company, Henry Salt And Son [“It’s traditional”]. However this reenactment becomes interrupted by the authentic Baron Munchausen (John Neville) himself! He’s old and cranky and he clamors onto the stage to set the record straight about himself and his adventures. Did I mention he’s a liar? Or is he?